Ghana Must Go Series II

The exploration of how borders are drawn and the power dynamics that form the basis of these discourses is one that I find particularly intriguing. I explore the concept of borders as an invisible boundary, a limit, or a line of separation. In my work, I confront the implications of crossing such a boundary and the transformation that happens when it is crossed. I craft ceramic sculptural vessels through wheel-throwing and hand-building techniques, influenced by Ghanaian cultural forms such as “kukuo,” a traditional water storage ceramic vessel, as well as the gourd and calabash fruit, a vessel associated with sojourning. I often incorporate elements like ropes, the Ghana must-go bags, and chains as a way of connecting to the historical narrative of displacement and migration. These elements also reflect my own experiences and the stories of others, as I explore the complexities of identity and how it is shaped by our shared memories. Through this body of work, I create a space for dialogue and understanding of the complexities and nuances of contemporary border discourse. As I explore this discourse, I create a platform to amplify voices and stories that are often overlooked and silenced. I engage and challenge the viewer to think critically and reflect on these topics, while also providing an opportunity to explore the beauty of our shared heritage.